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POLARTICS PRESENT ONLINE EXHIBIT: Everything Good Will Come | 5 December – 10 January 2021

POLARTICS PRESENT ONLINE EXHIBIT: Everything Good Will Come | 5 December – 10 January 2021

POLARTICS is pleased to present Everything Good Will Come. A joint exhibition featuring works by Bunmi Agusto and Chukwudubem Ukaigwe. 

Bunmi Agusto “Arrival”

Bunmi Agusto’s paintings follow a woman of the fictional Aruaro clan, which translates into  blind from the Bini language of the artist’s maternal tribe, the Edo people. Within Agusto’s  practice, this clan can be identified by the tribal marks on their cheeks in which the ancestral  eyes are nestled. This second set of eyes are closed throughout childhood and only open  when the Aruaro encounters their ancestors through a projection of oneself in their dreams,  as depicted in this series, and wakes up with both sets of eyes open. During this rite of  passage, the Aruaro and their ancestors engage in a dialogue that leaves both parties  enlightened in both traditional and contemporary perspectives. This body of work ties closely  to present day, in which young Nigerians who have been born into a system of silence finally  reach a point of political awakening. At the very core of her practice, she questions what  objects trigger her Nigerian cultural consciousness using Sherry Turkle’s theory of evocative  objects as vessels anchoring personal histories and cultural identity.

Chukwudubem Ukaigwe’s “Bore Witness”

Chukwudubem Ukaigwe’s paintings depict Nigeria’s youth in their multiplicity of identities.  At the core of this is the acknowledgement that their existence cannot be discussed with a  monolithic view as Nigeria happens to be a repository of variances in experience. Ukaigwe’s  paintings reimagine a world where strength is garnered in diversity, everyone coming together  despite antithesis of personal beliefs, to challenge paradigms of incompetent leadership,  vicious classism and neocolonial oligarchy — much similar to what was experienced at the  peak of the protests. He holds onto the silver lining of hope and a belief in creating a Nigerian  utopia, a Nigeria where no one is judged or condemned to a barbaric default, because of  their gender, class, occupation, upbringing or sexuality. The purpose of these paintings is to  create a cognitive space for an epistemological literature of gathering. A space for a dialectical  assembly of young Nigerians who collectively possess a strong affinity for liberation.

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This exhibition brings together two young Nigerian artists who partake in reimagining the role  of the Nigerian youth. Together, the works comprise a story which depicts a reawakening and reignition of hope. Following the brutal suppression of protests against police brutality in  Nigeria, a pertinent question lingers, “what next?”. What next for demanding accountability? What next for political organising? What next for demanding a right to life?