Now Reading
Strange Clay: Ceramics in Contemporary Art 

Strange Clay: Ceramics in Contemporary Art 

IMAGE CREDITS (L-R, as above)
Woody De Othello, Won’t Tell, 2018 Courtesy of the artist; Jessica Silverman, San Francisco; and Karma, New York, NY. Photo credit: John Wilson White; Klara Kristalova, Camouflage, Perrotin, 2017, Courtesy of the artist and Perrotin, Photo credit: Claire Dorn; Takuro Kuwata, Untitled, 2016. Courtesy: Alison Jacques, London © Takuro Kuwata, Photo credit: Robert Glowacki

From 26 October 2022 – 8 January 2023, the Hayward Gallery will present Strange Clay: Ceramics in Contemporary Art, the first large-scale group exhibition in the UK to explore how contemporary artists have used the medium of clay in inventive ways. Given the recent surge of interest in ceramics by artists around the world, as well as countless people who enjoy sculpting clay as a pastime, Strange Clay offers a timely reflection on this vital and popular medium. Featuring 23 international and multi-generational artists, from ceramic legends Betty WoodmanBeate Kuhn, Ron Nagle and Ken Price, to a new generation of artists pushing the boundaries of ceramics today, the exhibition will explore the expansive potential of clay through a variety of playful as well as socially-engaged artworks. (Main image: Lubna Chowdhary – Sign 7)

Curated by Dr Cliff LausonStrange Clay will feature eccentric abstract sculptures, large immersive installations, fantastical otherworldly figures and uncanny evocations of everyday objects. The artworks vary in scale, finish and technique, and address topics that range from architecture to social justice, the body, the domestic, the political and the organic. Regardless of background or route into the material, all of the artists in the exhibition celebrate the sheer possibility and versatility of clay. 

In a brand new commission for the exhibition, titled Till Death Do Us Part (2022), Lindsey Mendick explores the domestic realm as a site of conflicts and negotiations. A reflection on the ambivalence of domestic settings and relationships, the home is represented as a battleground where vermin infiltrate every corner of the house. 

David Zink Yi’s giant ceramic squid, Untitled (Architeuthis) (2010) sprawls across the floor of the gallery, spanning more than 4.8 metres and lying in what appears to be a pool of its own ink. Fascinated by the extreme biological differences between humans and squids, he explores the relationship between myth-making and the construction of identity. 

In his ceramics sculptures, Takuro Kuwata radically reinterprets the shape of a traditional Japanese tea bowl or chawan – a vessel used to prepare and make tea for traditional ceremonies. Greatly varying in scale, the artist’s sculptures are glazed with elaborate colours and textures that evoke organic forms, pushing traditional techniques to create something entirely unique and surprising. 

Fantastical creatures are displayed in a botanical installation from Klara Kristalova, featuring plants and ceramic sculptures. Roots, moss, grass and branches evoke the forest surrounding the artist’s studio in the Swedish wilderness and the woodland setting of fairy tales. 

Woody De Othello’s surreal clay sculptures modify the shapes of traditional household objects into over-sized, twisted and sometimes anthropomorphic forms. With his distinct approach to ceramics, Othello reimagines the mundane with a humorous twist while offering a serious reflection on society and race. 

Strange Clay features works by Aaron Angell, Salvatore Arancio, Leilah Babirye, Jonathan Baldock, Lubna Chowdhary, Edmund de Waal, Emma Hart, Liu Jianhua, Rachel Kneebone, Serena Korda, Klara Kristalova, Beate Kuhn, Takuro Kuwata, Lindsey Mendick, Ron Nagle, Magdalene Odundo, Woody De Othello, Grayson Perry, Shahpour Pouyan, Ken Price, Brie Ruais, Betty Woodman and David Zink Yi.

Dr Cliff Lauson, Curator of Strange Clay: Ceramics in Contemporary Art, says: Strange Clay brings together some of the most exciting artists working in ceramics in recent years. Using innovative methods and techniques, they push the medium to its physical and conceptual limits, producing imaginative artworks that surprise and provoke in equal measure.” 

Ralph Rugoff, Director of the Hayward Gallery, says: “Vibrant, playful and provocative, Strange Clay brings together a diverse range of artists – from across the world as well as the UK – whose work is inventively redefining the place of ceramics in contemporary art. Their work celebrates the medium’s special characteristics in order to explore an array of timely concerns.” 

See Also

The exhibition is accompanied by a fully illustrated catalogue with essays by Dr Cliff Lauson and Amy Sherlock, texts by Allie Biswas, Jareh Das, Hettie Judah and Jenni Lomax, and a roundtable discussion with four of the artists in the exhibition chaired by Elinor Morgan, co-published by Hayward Publishing and Hatje Cantz.

Strange Clay: Ceramics in Contemporary Art is curated by Dr Cliff Lauson with Assistant Curator Marie-Charlotte Carrier and Curatorial Assistant Suzanna Petot.

Strange Clay is generously supported by Manizeh & Danny Rimer and the Strange Clay: Exhibition Supporters’ Group: Gagosian; Hauser & Wirth; White Cube; and THE CLUB. With additional support from the Swedish Embassy in London.

26 October 2022 – 8 January 2023