It is a play about stop and search right? No, it is a play about “interrogation and surveillance”. Somewhere, everywhere someone is being interrogated and somewhere actually everywhere, everyone is under surveillance. Do you get the picture? Gabriel Gbadamosi paints the picture with his tale of lives that connect by a similar narrative, an existence dominated by fear and suspicion.
There are three scenes, the opening scene, two people in a lorry one is the white driver Tel, (Shaun Mason’) who is like a fire cracker about to explode at any given moment he has the world on his shoulders, with a van filled with people who he is helping cross the border, a girlfriend he cannot control and a more than an average dose of paranoia. He has just picked up Munashe Chirisa’s Akim, an African immigrant who says little, but he too is burdened with ghosts, his child drowning, both living in a state of unrest. Tel voices his fear of Muslims and being blown up. He interrogates Akim about his name to ensure it is not a Muslim name.
Eleanor Bull’s set is minimalistic but effective, two car seats and the use of lighted signs, and light to create shadow, the mood. Mehmet Ergen’s Stop and Search does not need much props, as it “drives” in the message of society, the society that we live in, where president’s want to build walls around their countries, where people are fighting for their identities, where fear prevails, and the fear is of each other. The story changes and we see two policemen undercover, on a job, voicing their differences. Then we are back to Akim this time as a Taxi driver taking Jessye Rome’s Bev to the bridge she needs to escape her “demons” and we realise she is the girlfriend Tel cannot control. He is her pain. Gbadamosi does allow for a little bit of humour but just a little we need to feel the despair that many people feel, that the nation might be feeling. The sound of police sirens were absent but you could almost hear them in the background. There is a rhythm to this poet/playwrights 90-minute piece. 5/5
Cast: Munashe Chirisa as Akim,Tyler Luke Cunningham as Lee David Kirkbride as Tone, Shaun Mason as Tel, Jessye Rome as Bev.
Gabriel Gbadamosi is an poet and playwright. His theatre credits include Eshu’s Faust (Jesus College, Cambridge), Hotel Orpheu (Schaubühne, Berlin), Shango (DNA, Amsterdam); and for radio, The Long, Hot Summer of ’76 – winner of the first Richard Imison Award. Gbadamosi’s novel Vauxhall won the Tibor Jones Pageturner Prize and Best International Novel at the Sharjah Book Fair.
Until February 9 (020 7503 1646, arcolatheatre.com