JG Contemporary present stunning works
JG Contemporary announce participation in this year’s Photo London at Somerset House, presenting an exceptional showcase of works by celebrated contemporary British photographers Tim Bret-Day and Derrick Santini. The exhibition aims to highlight the unique authenticity, depth, and individuality captured by these renowned artists, offering attendees an unparalleled visual experience.
By juxtaposing the works of Bret-Day and Santini, JG Contemporary creates a dialogue between the artists’ distinct narratives and approaches. This selection not only celebrates their contributions to photography but also emphasises the storytelling power behind each image. From iconic singular reportage early career images to compelling celebrity series, the exhibition explores the essence of human emotion, thought, and the soul-stirring moments of life.
Renowned for his distinctive and vibrant imagery, Tim Bret-Day has carved a niche for himself within the realms of pop culture, fashion, and art. His work, characterised by its surreal quality and iconic visuals, has been instrumental in defining the visual landscape of renowned brands and artists alike. Bret-Day’s relentless innovation and refusal to settle showcases his commitment to creating fresh, unique, and deeply personal pieces.
The Terrible Twins is a collaboration of photography and illustration between Tim Bret-Day and his long time collaborator, David Bray. It covers twenty year period starting with their first collaboration for Harvey Nichols in 2004. It is quirky and dark in equal amounts with a smattering of anarchic humour.
TIM BRET-DAY
The Terrible Twins _
Shot in my flat in westbourne grove in 1992 they lived next door in temporary housing and were always round our flat.
DERRICK SANTIN
Santini’s works on show include a unique solo portrait of the Spice Girl Mel B from 2000 – she has offered a quote on the work:
“This photo was taken in 2000. That’s a long, long time ago. I am older, I am wiser, life has given me many, many more knocks but I still recognise my soul in this image. I am still the woman who confronts the world head on. Fearless. Back then I was a Spice Girl, a young mother to my eldest child Phoenix ( she’s now 25 ); today I am a Spice Girl, a mother of three, a Patron of Women’s Aid and I have an MBE for my work with domestic abuse.
I remain exactly who i will always be – Melanie Brown a working class mixed race kid from a council estate in Leeds who just wants to be seen, heard and make a difference. It’s an emotional image for me. It was the first time I ever did a shoot on my own and Derrick just wanted to see me, who I was, what I stood for. I see my pride, I see my spirit, I see my strength and vulnerability. Derrick perfectly captured not just what was on the outside but the soul inside.”
Derrick Santini’s portraits are known for their striking contrasts and compelling detail, often featuring well-known faces that explore themes of perception and individuality. His work celebrates the essence of each subject, creating portraits that command attention and evoke a deep connection with the viewer. Santini’s approach to photography is a celebration of the individual, capturing the unique spirit and essence of his subjects.
The exhibition underscores the power of photography to connect on a personal level, celebrating the authenticity and magic inherent in the work of Bret-Day and Santini. Spanning from the 1990s to the 2010s, the display includes signed silver gelatins, limited-edition c-type, and platinum archival prints, offering collectors and enthusiasts a rare opportunity to acquire pieces of historical and artistic significance.
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